This is why musical semiotics is so, so, very fun. Such a brilliant idea to have decided to write an honours essay on it. Is it any wonder it's taken me an extra year?
Figure 5. Shepherd and Wicke's model of sonic signification.
(From Music and Cultural Theory. Mostly pages 152-82, but see especially their diagrams on 165 and 173 )
Friday, February 12, 2010
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